No. More. Loud. Bangs. Please.
There is a reason why my Mum is so much calmer than I am. It's called World War Two. Anyone who hid under the kitchen table from the bombs, who clearly remembers Doodlebugs is, frankly, better equipped to deal with modern life than I. I'm the one who jumps out of her skin at the sound of rockets on Bonfire Night (at one point I shriek'd aloud in the street) and cannot cope with thunder. I enjoy Bonfire Night about as much as a cat enjoys being bathed, and I would be entirely useless in rural China, where my dear friend informs me there are many, many firecrackers that tend to leap out and surprise one.
I particularly dislike the rockets that scream. So I went out dancing instead. This was much safer, as it took place in a basement, sans windows. We did quickstep. I did not have a quick enough brain for quickstep. Promenade, turn, step hops, scatter chasse, step hop, chasse, backlock, running finish, glide? Something like that, anyhow. The teachers had a brief disagreement as to what they were actually teaching us, and we looked on in horror as they threw themselves round the floor at high speed with an awful lot of 'quicks' and not many 'slows'. Halfway through the lesson, while I am fretting about what my feet are doing and what my head is doing, and whether the former are crossing in the right place (debatable) and the latter is pointing in the correct direction (it keeps changing), and we're still only practising the first half of the sequence, chappy-teacher who is dancing with me suddenly announces "I'm losing contact halfway through".
You what?
An excruciating two minutes follows in which he grabs firm hold of my hips to point out exactly where my body should be in relation to his, which is, generally speaking, glued somewhere between sternum and knee. "Right to left" he says, which is confusing to start with because it's his right and my left, and it goes on from there. At this point, my head is ready to explode with information overload, and the rest of the class just looks on dumbfounded. You see, not all of us are comfortable with the idea of pressing up against relative strangers. In fact, one of the gents much prefers to be about a foot away from his partner... "Don't panic" says chappy, establishing contact rather enthusastically. I give up caring. It is, for sure, easier to follow if you've got a decent connection, but why on earth is he picking on me? I'm rusty. This is my third lesson since I stopped dancing in 2003. Can I just worry about my feet, head, line, rhythm and basic posture without adding in connections? No? My brain isn't big enough!
By the end of the lesson, two of us girls have just about gotten the knack of the sequence. The rest are looking a tad confused,and the gents have partially lost the plot. I feel rather pleased with myself. I did actually 'get' it. Yay! I am also sweaty, tired, and full of endorphins. I decline the offer of a lift back to Camden, since everyone else is heading down to Leicester Square, and the One Way System in Camden does not allow for a sensible drop off point. Much less walking involved if I get the bus. Thisl I feel is, safer than running round Camden High Street.
Well, I thought it was safer as I sat on the top and knitted at the sock, until some geezer, possibly of Arab, but equally possibly of Indian, Pakistani or North African descent (or maybe just very suntanned), pokes me in the arm as he's getting off and informs me he'll see me soon. I have no idea who he is, I just got an impression of tan skin and sky blue sweatshirt as he moved past.
I am suitably freaked, and go home, and sit up late.
In other news, I have reattached the collar of Le Pull Français the correct way round, and it looks much better and the instructions definitely agree with what I did. Photos somewhen. And one of my colleagues has just bought a sleeping-bag-suit. It's yellow, and looks like a nylon puffa-jacket baby-gro. He won't model it. Spoilsport.
xxx
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